Orbital ATK Antares Rocket Set for Breakfast Blastoff from Virginia to Space Station with S.S. Gene Cernan Cargo Freighter Nov. 11: Watch Live

The Orbital ATK Antares rocket topped with the Cygnus OA-8 spacecraft creates a beautiful water reflection in this prelaunch nighttime view across the inland waterways. Launch is targeted for Nov. 11, 2017, at NASA's Wallops Flight Facility in Virginia. Credit: Ken Kremer/kenkremer.com
The Orbital ATK Antares rocket topped with the Cygnus OA-8 spacecraft creates a beautiful water reflection in this prelaunch nighttime view across the inland waterways. Launch is targeted for Nov. 11, 2017, at NASA’s Wallops Flight Facility in Virginia. Credit: Ken Kremer/kenkremer.com

NASA WALLOPS FLIGHT FACILITY, VA – The Orbital ATK Antares rocket is all set for a breakfast time blastoff from the commonwealth of Virginia to the International Space Station for NASA with a Cygnus cargo freighter named in honor of Gene Cernan, the last man to walk on the Moon.

The Antares launch is targeted for 7:37 a.m. EST on Saturday, Nov. 11, 2017 carrying the S.S. Gene Cernan resupply vessel that’s loaded with nearly four tons of science and supplies for the six person crew serving on the station.

Antares liftoff with the Cygnus spaceship also known as OA-8 will take place from launch Pad-0A at NASA’s Wallops Flight Facility located along the eastern shore of Virginia.

The Orbital ATK Antares rocket, with the Cygnus OA-8 spacecraft onboard, is raised into the vertical position on launch Pad-0A for planned launch on Nov. 11, 2017, at NASA’s Wallops Flight Facility in Virginia, in this nighttime view. Credit: Ken Kremer/kenkremer

The rocket was integrated with the Cygnus OA-8 supply ship this week and rolled out to the launch pad starting around 1 a.m. EST this morning Thursday, Nov. 9.

The Cygnus OA-8 spacecraft is Orbital ATK’s eighth contracted cargo resupply mission with NASA to the International Space Station under the unmanned Commercial Resupply Services (CRS) program to stock the station with supplies on a continuing basis.

The upgraded Antares rocket was erected into the vertical position and is now poised for liftoff early Saturday morning.

Tens of millions of spectators could potentially witness the launch with their own eyeballs since NASA’s Wallops Flight Facility is located within a short driving distance of the most heavily populated area of the United States along the eastern seaboard.

Since Saturdays weather forecast is quite favorable at this time this could be your chance to watch an exciting launch on a critical mission for NASA with your family or friends.

See detailed visibility map below.

But be aware that temperatures will be rather chilly, setting record or near record lows in the 20s throughout the Northeast and Atlantic coast states.

If you are wondering whether to watch, consider that Antares launches are infrequent.

The last Antares launch from Wallops took place a year ago on 23 October 2016 for the OA-5 cargo resupply mission to the ISS for NASA.

If you can’t watch the launch in person, you can always follow along via NASA’s live coverage.

Live launch coverage will begin at 7 a.m. Saturday on NASA Television and the agency’s website: www.nasa.gov

The launch window opens at 7:37 a.m. EST.

The windows runs for five minutes extending to 7:42 a.m. EST.

Sunset launchpad view of Orbital ATK Antares rocket and Cygnus OA-8 resupply spaceship the evening before blastoff to the International Space Station on Nov. 11, 2017. Credit: Ken Kremer/kenkremer.com

The 14 story tall commercial Antares rocket will launch for only second first time in the upgraded 230 configuration – powered by a pair of the new Russian-built RD-181 first stage engines.

The Cygnus spacecraft will deliver over 7,400 pounds of science and research, crew supplies and vehicle hardware to the orbital laboratory and its crew of six for investigations that will occur during Expeditions 53 and 54.

Hardware for the Orbital ATK Antares rocket launching the Cygnus OA-8 resupply mission to the International Space Station on Nov. 11, 2017 – as it was being assembled for flight inside the Horizontal Integration Facility at NASA’s Wallops Flight Facility. Credit: Ken Kremer/kenkremer.com

The S.S. Gene Cernan manifest includes equipment and samples for dozens of scientific investigations including those that will study communication and navigation, microbiology, animal biology and plant biology. The ISS science program supports over 250 ongoing research investigations.

Among the science: “Cygnus will carry several CubeSats that will conduct a variety of missions, from technology demonstrations of laser communication and increased data downlink rates to an investigation to study spaceflight effects on bacterial antibiotic resistance. Other experiments will advance biological monitoring aboard the station and look at various elements of plant growth in microgravity that may help inform plant cultivation strategies for future long-term space missions. The spacecraft will also transport a virtual reality camera to record a National Geographic educational special on Earth as a natural life-support system.”

“Orbital ATK is proud to name the OA-8 Cygnus Cargo Delivery Spacecraft after former astronaut Eugene “Gene” Cernan,” said Orbital ATK.

“As the last human to step foot on the moon, Cernan set records for both lunar surface extravehicular activities and longest time in lunar orbit, paving the way for future human space exploration. He died in January 2017.”

The last Cygnus was named the S.S. John Glenn, first American to orbit Earth, and launched atop a ULA Atlas V in March 2017.

The Orbital ATK Cygnus spacecraft named for Sen. John Glenn, one of NASA’s original seven astronauts, stands inside the Payload Hazardous Servicing Facility at NASA’s Kennedy Space Center in Florida behind a sign commemorating Glenn on March 9, 2017. It launched on April 18, 2017 on a ULA Atlas V. Credit: Ken Kremer/Kenkremer.com

After a two day orbital chase Cygnus will reach the stations vicinity on Monday, Nov. 13.

“Expedition 53 Flight Engineers Paolo Nespoli of ESA (European Space Agency) and Randy Bresnik of NASA will use the space station’s robotic arm to capture Cygnus at about 5:40 a.m. NASA TV coverage of rendezvous and capture will begin at 4:15 a.m.,” said NASA.

“After Canadarm2 captures Cygnus, ground commands will be sent to guide the station’s robotic arm as it rotates and attaches the spacecraft to the bottom of the station’s Unity module. Coverage of installation will begin at 7 a.m.”

“Cygnus will remain at the space station until Dec. 4, when the spacecraft will depart the station and deploy several CubeSats before its fiery reentry into Earth’s atmosphere as it disposes of several tons of trash.”

Under the Commercial Resupply Services (CRS) contract with NASA, Orbital ATK will deliver approximately 28,700 kilograms of cargo to the space station. OA-8 is the eighth of these missions.

Orbital ATK Cygnus OA-8 mission patch. Credit: Orbital ATK

Watch for Ken’s continuing Antares/Cygnus mission and launch reporting from on site at NASA’s Wallops Flight Facility, VA during the launch campaign.

Stay tuned here for Ken’s continuing Earth and Planetary science and human spaceflight news.

Ken Kremer

The Orbital ATK Antares rocket topped with the Cygnus cargo spacecraft launches from Pad-0A, Monday, Oct. 17, 2016 at NASA’s Wallops Flight Facility in Virginia. Orbital ATK’s sixth contracted cargo resupply mission with NASA to the International Space Station. Credit: Ken Kremer/kenkremer.com
This map shows the visibility of the upcoming launch of Orbital ATK’s CRS-8 mission from Wallops Flight Facility in Virginia, with numeric values indicating the time (in seconds) after liftoff the Antares rocket and Cygnus spacecraft may be visible. Credit: NASA/Orbital ATK
An Antares rocket sunrise prior to blastoff from NASA’s Wallops Flight Facility on 17 Oct. 2016 bound for the ISS. Credit: Ken Kremer/kenkremer.com

NASA’s Peggy Whitson Safely Returns Home in Soyuz from Record Breaking Stay in Space

The Soyuz MS-04 vehicle is pictured the moment it touches down with the Expedition 52 crew inside comprising NASA astronauts Peggy Whitson and Jack Fisher and Commander Fyodor Yurchikhin of Roscosmos on Sept. 3, 2017, Kazakhstan time. Credit: NASA/Bill Ingalls
The Soyuz MS-04 vehicle is pictured the moment it touches down with the Expedition 52 crew inside comprising NASA astronauts Peggy Whitson and Jack Fisher and Commander Fyodor Yurchikhin of Roscosmos on Sept. 3, 2017, Kazakhstan time. Credit: NASA/Bill Ingalls

NASA’s Peggy Whitson, America’s most experienced astronaut, returned to Earth safely and smiling Sunday morning on the steppes of Kazakhstan, concluding her record-breaking stay in space aboard the International Space Station (ISS) along with Soyuz crewmates Jack Fischer of NASA and Commander Fyodor Yurchikhin of Roscosmos.

The multinational trio touched down softly on Earth inside their Soyuz MS-04 descent capsule on Saturday evening, Sept. 2 at 9:21 p.m. EDT (shortly after sunrise 7:21 a.m. Kazakhstan time, Sept. 3), some 90 miles southeast of the remote town of Dzhezkazgan in Kazakhstan.

Whitson wrapped up a 288-day extended mission in obviously good health that began in November 2016, spanning 122.2 million miles and 4,623 orbits of Earth – completing her third long-duration stay on the orbiting science outpost spanning Expeditions 50, 51 and 52.

“A flawless descent and landing,” said NASA commentator Rob Navias during the live NASA TV coverage of the return of the ISS Expedition 52 crew Saturday afternoon and evening US time.

“The crew is back on Earth safe and sound.”

NASA astronaut Peggy Whitson, Russian cosmonaut Fyodor Yurchikhin of Roscosmos, and NASA astronaut Jack Fischer undergo routine initial medical checks after returning from their mission aboard the International Space Station at 9:21 p.m. EDT Saturday, Sept. 2, 2017 (7:21 a.m. Kazakhstan time, Sunday, Sept. 3), landing southeast of the remote town of Dzhezkazgan in Kazakhstan. Credits: NASA TV

She has now accrued a total of 665 days in space – more than any American astronaut – over the course of her illustrious career during which she set multiple U.S. space records spanning a total of three spaceflights.

Whitson’s 665 total accumulated days in space places her eighth on the all-time space endurance list – just 8 days behind her Russian crewmate and Soyuz Commander Fyodor Yurchikhin who now ranks 7th on the all-time list with 673 days in space on his five flights. She has exceeded the endurance record of her next closest NASA competitor by 131 days – namely NASA astronaut Jeff Williams.

The remarkable 57-year-old Ph.D biochemist by training has spent nearly 2 years of her entire life in space and she holds several other prestigious records as well – including more accumulated time in space than any other woman and the longest single spaceflight by a women – 288 days!

During this mission Whitson became the first woman to serve twice as space station commander. Indeed in 2008 Whitson became the first woman ever to command the space station during her prior stay on Expedition 16 a decade ago. Her second stint as station commander this mission began earlier this year on April 9.

Whitson also holds the record for the most spacewalks and the most time spent spacewalking by a female astronaut. Altogether she has accumulated 60 hours and 21 minutes of EVA time over ten spacewalks -ranking her third most experienced in the world.

Notably Soyuz Commander Yurchikhin ranks fourth in spacewalking experience. Only Russia’s Anatoly Solovyev and NASA’s Michael Lopez-Alegria have more spacewalking time to their credit.

NASA’s Jack Fischer completed his rookie spaceflight accumulating 136 days in space aboard the ISS.

Astronaut Peggy Whitson is pictured May 12, 2017, during the 200th spacewalk at the International Space Station. Credit: NASA

Whitson originally launched to the ISS on Nov 17, 2016 aboard the Russian Soyuz MS-03 spacecraft from the Baikonur Cosmodrome in Kazakhstan, as part of the three person Expedition 50 crew including flight engineers Oleg Novitskiy of Roscosmos and Thomas Pesquet of ESA (European Space Agency).

Her flight was unexpectedly extended in flight after the Russian government decided to cut back on the number of space station crew cosmonauts this year from three to two to save money. Thus a return seat became available on this Soyuz MS-04 return flight after NASA negotiated an extension with Rosmoscos in April enabling Whitson to remain on board the orbiting outpost an additional three months beyond her than planned June return home.

Whitson’s mission extension proved to be a boon for NASA and science research enabling the US/partner USOS crew complement to be enlarged from three to four full time astronauts much earlier than expected. This allowed NASA to about double the weekly time devoted to research aboard station – a feat not expected to happen until America’s commercial crew vehicles, namely Boeing Starliner and SpaceX Crew Dragon – finally begin inaugural launches next year from the Kennedy Space Center in mid-2018.

NASA Astronaut Peggy Whitson after safe return to Earth on Sept. 2, 2017 ET. Credit: NASA

Descending dramatically while hanging below a single gigantic orange-and-white parachute the scorched Russian Soyuz vehicle fired its braking rockets just moments before touchdown in Kazakhstan to cushion the crew for a gentle landing under beautifully sunny skies.

A live NASA TV video feed captured the thrilling descent for over 14 minutes after the main parachute deployed all the way to the ground under clear blue sunny Sunday morning weather conditions and comfortably local Kazakh temperatures of 77 degrees F.

“Everything today went in perfect fashion from the undocking, to the deorbit burn to landing,” said Navias. “It went by the book with no issues.”

“We saw a spectacular 14 minute long live video of the Soyuz descent and landing.”

The Soyuz MS-04 carrying NASA astronauts Peggy Whitson and Jack Fischer and Fyodor Yurchikin of Roscosmos back to Earth from the International Space Station touched down at at 9:21 p.m. EDT Saturday, Sept. 2 (7:21 a.m. Kazakhstan time, Sunday, Sept. 3), southeast of the remote town of Dzhezkazgan in Kazakhstan. Credits: NASA TV

Russian search and recovery forces quickly arrived via a cluster of MI-8 helicopters after the soft landing to begin their normal procedures to extract the three Expedition 52 crew members from their cramped Soyuz descent module.

Soyuz Commander Yurchikhin in the center seat was hauled out first, followed by Fischer in the left side seat and lastly Whitson in the right seat. All 3 were placed on reclining seats sitting side by side and appeared quite well, conversing and speaking via satellite phones.

A group of Russian and US medical teams were on hand to check the astronauts and cosmonauts health and help the crewmates begin readapting to the tug of Earth’s gravity they have not experienced after many months of weightlessness in space.

Whitson’s final planned news conference from space with the media to sum up her experiences this past Wednesday had to be cancelled due to the catastrophic flooding events from Hurricane Harvey impacting Houston and elsewhere in Texas – including Mission Control which was forced to close multiple days.

The crews had bid their final farewells earlier and closed the hatches between the Soyuz and station at 2:40 p.m. EDT Saturday.

After conducting final spacecraft systems checks the trio unhooked the latches and undocked from the International Space Station at 5:58 p.m. EDT to begin their voyage home through the scorching heats of reentry in the Earth’s atmosphere that reached over 2500 degrees F (1400 degrees C) on the outside.

“While living and working aboard the world’s only orbiting laboratory, Whitson and Fischer contributed to hundreds of experiments in biology, biotechnology, physical science and Earth science, welcomed several cargo spacecraft delivering tons of supplies and research experiments, and conducted a combined six spacewalks to perform maintenance and upgrades to the station,” said NASA.

“Among their scientific exploits, Whitson and Fischer supported research into the physical changes to astronaut’s eyes caused by prolonged exposure to a microgravity environment. They also conducted a new lung tissue study that explored how stem cells work in the unique microgravity environment of the space station, which may pave the way for future stem cell research in space.”

“Additional research included an antibody investigation that could increase the effectiveness of chemotherapy drugs for cancer treatment, and the study of plant physiology and growth in space using an advanced plant habitat. NASA also attached the Cosmic Ray Energetics and Mass Investigation (ISS CREAM) on the outside of the space station in August, which is now observing cosmic rays coming from across the galaxy.”

Astronaut Peggy Whitson signs her autograph near an Expedition 50 mission patch attached to the inside the International Space Station. Credit: NASA

ISS Expedition 53 began at the moment of undocking from the space station, now under the command of veteran NASA astronaut Randy Bresnik since the official change of command ceremony on Friday.

Along with his crewmates Sergey Ryazanskiy of Roscosmos and Paolo Nespoli of ESA (European Space Agency), the three-person crew will operate the station for the next 10 days until the imminent arrival of three new crew members.

The station will get back to a full complement of six crewmembers after the upcoming Sept. 12 launch and fast track 4 orbit 6 hour docking of NASA astronauts Mark Vande Hei and Joe Acaba of NASA and Alexander Misurkin of Roscosmos aboard the next Soyuz MS-06 spacecraft departing from the Baikonur Cosmodrome, Kazakhstan.

Meanwhile the next launch from the Kennedy Space Center is slated for this Thursday, Sept.7 is the SpaceX Falcon 9 carrying the USAF X-37B OTV-5 military mini-shuttle to low Earth orbit -detailed here.

Peggy Whitson set the record on Sept. 2, 2017, for most cumulative days living and working in space by a NASA astronaut at 665 days. Credit: NASA
Expedition 52 Flight Engineer Peggy Whitson of NASA, Commander Fyodor Yurchikhin of the Russian space agency Roscosmos and Flight Engineer Jack Fischer of NASA float through the Harmony module of the International Space Station. Credits: NASA

Watch for Ken’s continuing onsite X-37B OTV-5 and NASA mission reports direct from the Kennedy Space Center and Cape Canaveral Air Force Station, Florida.

Stay tuned here for Ken’s continuing Earth and Planetary science and human spaceflight news.
Ken Kremer

Soyuz has split into 3 modules 139.8 km above Earth. Crew parachutes to landing inside Descent Module at 9:22 pm ET Sept. 2, 2017. Credit: NASA
Expedition 52 crew returns to Earth Sept. 2, 2017. Credit: NASA
Peggy Whitson @AstroPeggy is 3rd place all-time for cumulative spacewalk time with 10 spacewalks totaling 60 hours, 21 minutes. Credit: NASA

Podcast: Behind the Scenes at NASA TV

The view from the KSC TV control room looking out at the press auditorium where press conferences are held. Image: Nancy Atkinson


Listen to the audio of this podcast at this link.

You can also read the interviews below.

Hi, this is Nancy Atkinson from Universe Today. Right now I’m at Kennedy Space Center, and I’ve had the opportunity to see a couple of launches and cover other events that normally, I’d be back home watching on NASA TV. Since NASA TV is part of my daily diet of space media, I was very interested to see the newsroom, step in the auditorium where all the press conferences are held, and also talk with some of the people who work at NASA TV at Kennedy Space Center, or KSC TV as they call it, to find out about the work that they do, and also what it’s like to provide some of the most unique and exciting coverage anywhere on — and off — the planet. I chatted with producers, directors, technicians and other people who work behind the scenes, plus I also had the good fortune to talk with one of the voices of NASA TV, George Diller.

Here are some of our conversations.

Listen to the audio of this podcast at this link.

Allie Lee, Producer.

Allie Lee, Producer for KSC TV/NASA TV. Image: Nancy Atkinson

Nancy: I’m now here with Allie Lee and you are a producer for NASA TV?

Allie: I am, for Kennedy Space Center Television.

Nancy: What are some of the things you get to do. Or have to do?

Allie: I’m in charge or preparing the launch countdown show prior to launch and all the press conferences and media briefings that we do leading up to launch. But the most exciting thing that I get to do is work with the launch commentator, which a lot of times is George Diller, and work with him about what elements we’re going to put in the show, what things do we need to show on NASA TV, and I get to sit in the control room with all the fabulous employees that we have and watch the astronauts and the space shuttle get ready to launch.

Nancy: How long have you been here?

Allie: I’ve been here five years.

Nancy: Any memorable moments or times, or launches that you have been a part of?

Allie: I think the last launch was pretty special (STS-130). It happens to be the first one I got to do by myself as a producer. It was a fun launch, a beautiful launch in the evening. It was just wonderful to see the astronauts come out and get loaded up into the shuttle and wait for it and hear that countdown.
I would also say that another memorable flight would be STS-114, the return to flight. That was my first launch being here, and I happened to be pregnant with my little boy, so that was a nice launch.

Nancy: What are some of the challenges? Do you have to worry about timing and how you get everybody in and all the shots you want?

Allie: You do. There is a lot of tricks with it. As the producer you have to work very closely with the director who works closely with the field cameramen and the camera operators. You have to follow the astronauts schedule very closely and make sure that when a special milestone happens that the NASA TV commentator knows that it is happening, and that the director and the photographers all have that shot up on the TV so that everyone can see it and the commentator can talk about it.

You also have to be listening to the nets, to the loops and you get to listen all the people in the firing room discussing the launch. You have to listen for weather problems, weather issues. You have to listen for things that are going well, things that are not going well so that you can advise the NASA TV commentator so that he or she is preparing so they can give notice to the public, should they need to. So those are the things that are the challenges.

Working as a producer at Kennedy Space Center is a unique job, in that it is the only job like it in the world. So it is really special to me. It’s special to the whole team, but it is great to be part of this team.

Nancy: So, as you see the shuttle program coming to the end, does it…

Allie: It’s really sad. It’s really sad because we enjoy it so much and it is so beautiful. It’s going to be sad to see it go. I get to produce rocket launches, too, and those are wonderful. I’m excited that I get to be the producer for the last shuttle, I can tell you that.

Nancy: Thank you very much!

Dimitri Gerondidakis, Director.

Dimitri Gerondidakis in front of the Vehicle Assembly Building at KSC. Image: Nancy Atkinson

Nancy: And now I’m with Dimitri Gerondidakis. And you are one of the directors for NASA TV?

Dimitri: Yes.

Nancy: Can you me about a typical day for you, or the kinds of things you get to do?

Dimitri: Well, are you talking launch day?

Nancy: Launch day, that would be good!

Dimitri: OK, because every other day I’m just one of the troops and go out and get video and stills of different processing. But on launch day I’m lucky enough to get to direct the NASA TV launch coverage. Directing a shuttle launch is a lot different than directing news or sports or anything like that because with the shuttle launch there are actually required shots at certain times, for the paperwork for the engineers. There is a lot of timing out – at this time we need to show the engine and show the sparklers lighting the main engines. We need to stay with that shot until, what they call the mach diamonds form, coming out of the engines.

It’s not the most creative TV directing in the world, but it is no doubt exciting. The adrenaline really starts pumping.

The control room at NASA TV at Kennedy Space Center. Image: Nancy Atkinson

Nancy: So, you’re not only getting shots not only for us watching NASA TV, but for the engineers as well?

Dimitri: Right. I believe what I learned is that we were a news feed, so there are no dissolves; its straight cuts and stuff like that. And during the polls, we want to show the launch director polling his team. Whenever there are astronauts and we can see them, it is a required shot, like ingressing. If you watch the coverage you’ll notice that once we see astronauts we don’t get off of astronauts until they are no longer visible, like when they pull those cameras out of the crew cabin.

There’s room for some creativity, don’t get me wrong. I mostly rely on the awesome cameramen we have here that sometimes get to show their “artsy” side. They do a great job of it. Praise goes to them really. I just pick the shots I like!

Nancy: Well, I think it is always interesting to watch the launches for the variety of things you do get to see. You get to see behind the scenes – the astronauts going into the vehicle. That’s very interesting.

Dimitri: Oh yeah, that’s always a fun part of the show. There’s the part when we go into the Operations and Checkout building and we see them all suiting up and they are waving and this and that. And it’s anxious wait for us because we are waiting for them to pop out into that hallway. So while you’re trying to put on a decently entertaining good show/news feed, whatever you want to call it, you have your one eye on that hallway camera, because as soon as they come out…

Nancy: It’s one thing you don’t want to miss!

Dimitri: It’s an exciting part of the show. If the show were condensed down to 10 minutes you would probably start from there, the astronauts getting on, and coming out of the 9 minute hold.

Nancy: Right. For landing, is it kind of a waiting game like it is for the rest of us, you just have to wait and see when it is going to happen?

Dimitri: And there’s a little competition between the guys out there on the cameras who can see it first and get the shot. It’s funny, because typically they land from the north to the south, unless winds are… this is my opinion, I’m not sure if this is fact or not, but it seems to be the majority of the landings here. Well, we’re all rooting for a south to north because we have a camera on the VAB roof and you’ll see when it lands from south to north, we pullout with this big, beautiful shot with Titusville in the background, you got the rivers, the lagoons, and here’s the shuttle dropping in like a brick, almost. It just makes for a really cool shot. So there’s some friendly competition out there.

Nancy: So, coming up we have a night landing. I’m assuming that makes it a little bit harder?

Dimitri: Yeah, we don’t have our long range tracker, we have an infrared tracker which picks up a little heat signature. The first thing you see on the screen is this little white dot, and you’re going, is that it? Is that it? And finally it will start to take the shape of the shuttle and they’ll start tracking it and its pretty much infrared, which is not the prettiest picture in the world. Until I get that pilot’s point of view feed, and I’m not sure when I get it or why when I get it but you can see their point of view and the runway and the lights and then it becomes a little prettier, no doubt. Then it gets into the Xenon lights and it gets like daytime.

Nancy: Yeah, I bet! Any memorable moment that you’ve had in your time here? How long have you been with NASA?

Dimitri: I originally worked at NASA Headquarters and directed some shows there. I and a producer, my friend Tony, followed Sean O’Keefe around to different centers and did his NASA Update show. Came down here, I think it was five years ago. They were looking for someone to direct, and I asked the wife is she wanted to move to Florida and the kids loved it and so we did.

So the most memorable would have to be return to flight. The place was buzzing; it was my first. I kind of got thrown to the fire. I asked the bosses, can I watch someone else direct it first, because I have no idea what goes into it. “Nah, just get in there and do it!” So there was a lot of adrenalin and there were a lot of us new hires for return to flight, there were a lot of people here, the place was buzzing. It was probably the one I remember most.

Nancy: OK, thanks Dimitri!

Loren Mathre, Audio.

Loren Mathre at the audio control panel at NASA TV at Kennedy Space Center. Image: Nancy Atkinson

Nancy: And now I’m talking with…

Loren: Loren Mathre.

Nancy: And what do you do at NASA TV?

Loren: I work in the audio control room. We support NASA TV when it comes to any aspect of audio. For launches we put microphones out at the pad, we have one that’s maybe 100 feet from the orbiter itself and we pick up from the sparkler, so when you watch it on TV and you see the water dump and you hear that “whoooosh” and you hear the sparklers kick on, people just take it for granted that you hear that, but we have microphones out there. So we have one out there, we have one on the pad perimeter to pick it up as soon as it is launching. And then we put one on the beach, pointing straight up to get that low level rumbling you hear when the shuttle has launched.

Nancy: This was my first launch that I was here for, for Endeavour, and the thing that got me was the sound.

Loren: The sound is impressive!

Nancy: It engulfs you! So how do you – and I tried to record it and it just basically distorted everything, so what to you have to do to get good sound?

Loren: It is a fine mix. It is a different mix every launch depending on the weather, the temperature – sound travels at different levels, different speeds depending on what is in the atmosphere. The microphone we put out on the pad we’re only on that when the sparklers ignite on. Once the engines kick on you have to get off that immediately, or you have nothing but overdriven clipping noise. The pad perimeter mic, it overdrives immediately as well, but you have to ride that a little bit, so it’s a fine tuning of riding the fader and the trim pot until the microphone at the beach picks up the audio. Once the microphone at the beach picks up the audio, you’re pretty much good because the shuttle is so far away. That’s where you hear that low level crackling.

Nancy: How long have you worked here?

Loren: I’ve worked here in the TV department for 10 years. I used to be in the tech control, which is just systems, down in the industrial area. I don’t know if you’re familiar with that area – that’s where all the payloads are processed. But I was working down there for 10 years as well before I got laid off and re-called back up here. But when I was working 10 years up there I didn’t know of any of the operations up here. It’s funny how you get stuck in your own little world down there. So when I came up here it was a whole different aspect of the space program because we work hand in hand with the astronauts, you know, so you get to see them. And we handle all the press conferences, so you get to see the press conferences and you see the Administrator and Bill Gerstenmaier, all of them coming up, and you’re able to put a face and a personality to the people that are running the agency, and the astronauts themselves, so it’s a really good job.

Nancy: So, since it’s my first time here, it is my first time being at press conferences. So you’re always trying to get a shot at who is talking. How hard is that when you’ve got several people talking?

Loren: Press conferences are pretty easy, even when they are full houses. I don’t know if you were here when the NASA Administrator was here. That was a very big press conference. Normally we only have one mic handler out there, but we had two mic handlers just to handle questions from the media. It’s pretty easy, you just ride the levels. It’s nothing compared to a launch. Mixing launch audio is a tricky thing and when you get it just right you feel really good about it because not very often do you get it just right. There’s always something that afterwards you think, ‘oh, I could have gotten off that faster, I could have brought that other mic up faster.’ It’s just trial and error each time.

Nancy: And there is no do-overs.

Loren: There is no do-overs, right! A month later or so you get another shot at it. I have another audio control person out there. And we switch off launches. So when I mix a launch, he puts the mics out for me and send the signal back to me, and then when he mixes the launch, I do the same for him. So this is actually his launch, so I’m putting the microphones out for launch, and for landing – we put microphones on the runway for landings as well. Just things you take for granted that you see on TV – anything TV-wise, I always like to say, without audio KSC TV is just like a very expensive surveillance system. We add the extra to the launches and landings.

Nancy: I know! I watch NASA TV religiously and I know a lot of our listeners do to, so they will be very interested to hear about this kind of behind-the-scenes stuff.

Loren: Yeah, I went to my niece’s 5th grade class and talked about it, and you just take it for granted when you do it all the time. But I talked to my niece’s class earlier this year in January. Before me there was a police officer there and when I walked up the police officer was showing the kids his car. There was a karate instructor giving instructions on breaking boards. And here I am, I work at NASA TV, and I have a little boxful of astronaut pictures and other memorabilia, I thought, ‘This is going to be so bad.’ They loved it—the kids could not get enough about space! They had so many interesting questions for me – about a space elevator and living on the moon – these 5th graders were really interested and wanted to know more. They said I was the best – they had me signing autographs afterwards! I said, all I do is mix sound out there, but they just loved it. There is a lot of interest in the space program.

Maggie Persinger, Public Affairs/Multimedia

Maggie Persinger, with QinetiQ, who works at Kennedy Space Center. Image: Nancy Atkinson

Nancy: And this is Maggie Persinger. And you get to work with all the fun technological things with video – can you tell us about that?

Maggie: Still and video. When anybody in the world from motion pictures, film, movies to newspapers, wants or needs something from KSC, or NASA, they come to me and I provide the research, the product, whatever it is that they need for their story, or for Clint Eastwood’s movie “Space Cowboys,” whatever it is. So it’s a lot. I not only deal with that, I have to make sure the jobs are shot, and that I get the copies, and I have to know the entire space program, what is going on everywhere. So it’s a difficult job for one person. There used to be three NASA people that did videos and two people did stills, so now I do it all.

Nancy: What has been the most interesting thing you’ve had to send videos or stills to?

Maggie: I think the most interesting were things like “Space Cowboys,” “Armegeddon,” “Contact,” things like that. When they used to come here and film, for a year and a half before they came and did that movie, I worked with the background people. I did things like provide them blanket pieces, tile pieces so they could build their sets. I got them the color chart for the ET tank. It was very long and involved. So whenever you deal with everybody – there’s a big Discovery program coming out about Australia. So I constantly am keeping track of these people and sending them new things. So there’s a lot of stories – there’s of interest around the world that people in Iowa don’t know realize. But I do! Because I deal with them so I know there is a lot of interest in the space program.

Nancy: I know that you are very busy even after press conferences, you are quickly handing out audio for us, it’s been great!

Maggie: That’s the thing, actually launch time is my easiest time. Even though you guys are here, I’m just dedicated to launch, all of you for this. It’s when you all leave and I have to get back to my routine when it gets tough. Because I’m dealing with the entire world, get everything shot, keeping up the library, making room – I’m constantly trying to make room for things, converting all the Quicktime files, — it’s busy. So everybody thinks it’s just busy at launch time! But launch time is my easiest time. I love launch day! It’s the rest of the time that is tough!

Nancy: Well thanks Maggie – it’s been great talking to you!

Maggie : It’s been good talking to you!

George Diller, Public Affairs Officer.

George Diller, Public Affairs Officer at KSC, left, with NASA launch director Doug Lyons during a shuttle launch in 2007. Credit: AP

Nancy: The next voice you’ll hear you will probably recognize. He’s the voice of, I think almost all the launches here at Kennedy Space Center for the past several year. It’s George Diller. Hi George, thanks for talking with us today.

George: I do a lot of the launches but the shuttle launches we tend to spread out between among some of us in the office because there is a tremendous amount of preparation that goes into one of those so its hard for one person to do them all. I do do a lot more of the expendable launches, the unmanned launches and I really enjoy those particularly because the payloads are so different. They are deployable spacecraft that tend to be focused on space science, planetary exploration, astrophysics – those are the ones to me that have a certain amount of fascination, and always have way back from when I started here back in the late 70’s. In fact I cut my teeth as a newsman covering the space center for about five years and became particularly interested in the expendable vehicle launches with Viking, Voyager and Pioneer Venus. I’ve been here 29 years now and that still has the same attraction for me. We did launch those kinds of payloads on the shuttle for awhile and I got to work with those payloads in preparation for launch. But those all transitioned over to the expendable launch vehicles completely after the Challenger accident and the space shuttle was refocused on building the International Space Station.

If I look back probably at some of the missions that I have most enjoyed working on and doing the launch commentary for, probably the Hubble Space Telescope would the one that would be the highlight because I was directly involved with the telescope and the spacecraft payload testing and doing the commentary for launch, as well as for all the missions that have been done since that have gone up to service the telescope. So it really is quite a feeling to look back and say that I was a part of that for all of those Hubble Missions, both for the launch and all the flights that have followed to service it.

Probably the most memorable spacecraft that I have been directly involved with have been involved with particularly would be Cassini that went to Saturn and sent a probe down to Titan, one of Saturn’s moons. Also Galileo that went to Jupiter and that was such a great success and the Magellan mission to Venus. So, I think I enjoy those kinds of missions because they are leaving low Earth orbit and going so much farther out that we can only hope that one day we’ll one day go to those places ourselves.

The shuttle missions have really become focused on the space station, and it’s kind of been fun on those flights to focus on a particular piece of flight hardware that’s going up to be attached to the station, and later on when there is some kind of reference to a particular component or something particular that has been attached to it, you can remember some involvement that you’ve had with it.

But I think the space station, is, when is all finished and we look back at the science that was done over the next 10 or 15 years, I think we are going to look back at it as probably one of the wonders of the world in terms of modern accomplishments just as we have the Hubble Space Telescope, because I think so much will come out of it that is focused to us right down here on the ground. It will translate to benefits such as new metals, new pharmaceuticals, new computer substrates; new potential cures for diseases, medicines that we can get to synthesize only in the microgravity – zero gravity environment of The potential of the space station is almost mind boggling.

And I’m hoping to be around long enough to look back at the history of the space station program and say, well, I was with NASA when we were putting this together, and I may be retired eventually, but I can look back and say, look at all of the great things that now have come from the program.

Nancy: As you see the end of the space shuttle program coming, what are your personal feelings about that?

George: Well, the shuttle is something that gives us the kind of capability and flexibility that we never had before and that we do not have any plans to have again. It has the tremendous ability in terms of being able to deploy payloads, to take large payloads to space, to be able to services things in space, to be able to service things in space, to be able to construct things in space, also to be able to take things up and bring them back. And looking forward we’re going to have more capable rockets but they don’t have the same flexibility in terms of the weight that they can bring up or bring things back or be able to servicing that the shuttle has become so famous for being able to do for things already up there. So I think we’ll miss that, but it’s going to be fun to be able to look back and say the shuttle gave us the only way could have ever built the space station. I think it is a very storied program in the history of NASA. I’m proud to say I was here for the first launch and I’ll be here for the last launch and I was in some way a part of that story.
Nancy: Could you tell us about what it takes to put everything together to do a launch commentary for NASA TV?

George: The launch commentaries are, when you start planning for one, not only are there all the materials that you have to put together, but you also have to work with the TV people on all the things you want to show during the broadcast. That means scheduling all the video to be shot over a certain amount of time as the spacecraft is being prepared for launch, then all the things you want to do to tell the story, such as the animations you want to show and you have to figure out where in the broadcast its going to fit with what you are doing. Then have to schedule for it, so it’s a lot more than just writing it. Although there’s a lot of it now that, as far as the shuttle is concerned, I can work from an outline. I really don’t have to read from a script, although if I’m doing something very mission specific I might need a script for some part of it, if it is very mission specific. So, for anybody doing a launch commentary, it’s not something you can just pull together in just an afternoon. It takes a fair amount of time to pull all that together, and then work with the TV people and tell them where you want to include it and you have to work out your shot sheet of the sequence you want all these things in, so I think it’s good, in a way, that we kind of rotate the shuttle launches in particular around the office because it takes a fair amount of work to put it together. It’s a lot of fun, but it’s a lot of work!

Nancy: I’ve noticed that it seems recently you’ve had extra people come on and talk about different things going on with the mission during the launch countdown.

George: On the shuttle side, yes. On the ELV side we’ve always kind of done that. Our ELV commentary is usually divided into two parts, because the commentaries run usually between two and two and a half hours, as a rule on an unmanned launch. The first part of it picks up at a certain point in the countdown, but it is very heavy on interviews and things that are associated with the mission aspect. Usually you’re doing all that while they are fueling the vehicle. So, it gives you the chance to talk about fueling and things going on, but basically it gives you time for the color.

And then the second half of it is really focused on the launch itself and the launch operations. So it is divided into two parts that way.

On the shuttle, its more of a desire on the part of NASA to include much more activity both in terms of the mission as well as features that tell a story in the countdown and include more background that the average guy watching NASA TV can relate to. So it has meant more features, and some are related to the mission and some are related to the countdown, some are more related to the astronauts, some are more related to the people that have been involved with it, so we try to broaden it out a little bit. I think that is the reason behind that, because the count is on for such a long time. It’s one for five to five and a half hours. I think there was a feeling that we needed to do that and we had enough time to do that.

Nancy: I know I always enjoy watching as much as I can because it is fun to watch the whole process of what takes place. And now that I’ve been here and have gotten to see that, like the astronauts walking out and seeing it live and in person, its been really fun being here.

George: There have been a coupel that have almost been extravaganzas because of the nature of the mission, like the John Glenn mission. That one, there was so much you could include in the commentary because of the history of John Glenn. And he is so modest. He didn’t want us to do any more than we customarily do. But how can you not? And he is such a favorite around here. When he was here for the countdown dress rehearsal and the training, it was hard to get him through these exercises and these tests because he was just being mobbed by the NASA workers and the KSC employees. They were pulling dollar bills out of their wallets to get him to sign. And he would never be rushed. The trainers would try to keep things moving, but he would not be rushed. He took time to talk to everybody and sign their bills.

When we had the Challenger accident, he was the first person on site after the accident. He flew down here immediately and was on a briefing that afternoon over in the news center. He absolutely loves this place. He’s never forgotten it and those are the kinds of missions that have a lot of public interest. Plus the return to flight missions after Challenger and Columbia those were always big because in each case it meant a re-focusing of the program in some way. And of course the last one will just be a blowout.

Nancy: Thanks very much for talking with us today, this has been a lot of fun.
George: All right!

Nancy: I hope you enjoyed as much as I did the conversations I had with some of the people from NASA TV. NASA TV is available through many cable and satellite providers, and you can also watch it online. Go to www.nasa.gov/ntv. Reporting from Kennedy Space Center, this is Nancy Atkinson