[email protected] is one of the world’s largest public computing projects, with more than 200,000 people donating time on their own computers to mine gravitational wave data for the tell-tale signs of pulsars.
Now, [email protected] will begin searching Arecibo radio data to find binary systems consisting of the most extreme objects in the universe: a spinning neutron star orbiting another neutron star or a black hole.
And the project needs even more public participation.
Today, Bruce Allen, director of the [email protected] project, and Jim Cordes, of Cornell University, announced that the [email protected] project is beginning to analyze data taken by the PALFA Consortium at the Arecibo Observatory in Puerto Rico. PALFA is the Pulsar Arecibo L-band Feed Array Consortium, an ongoing search effort.
The Arecibo Observatory is the largest single-aperture radio telescope on the planet and is used for studies of pulsars, galaxies, solar system objects, and the Earth’s atmosphere.
Current searches of radio data lose sensitivity for orbital periods shorter than about 50 minutes. But the enormous computational capabilities of the [email protected] project (equivalent to tens of thousands of computers) make it possible to detect pulsars in binary systems with orbital periods as short as 11 minutes. The project is based at the University of Wisconsin in Milwaukee and the Albert Einstein Institute in Germany.
“Discovery of a pulsar orbiting a neutron star or black hole, with a sub-hour orbital period, would provide tremendous opportunities to test General Relativity and to estimate how often such binaries merge,” said Cordes.
The mergers of such systems are among the rarest and most spectacular events in the universe. They emit bursts of gravitational waves that current detectors might be able to detect, and they are also thought to emit bursts of gamma rays just before the merged stars collapse to form a black hole.
“While our long-term goal is to detect gravitational waves, in the shorter term we hope to discover at least a few new radio pulsars per year, which should be a lot of fun for [email protected] participants and should also be very interesting for astronomers,” Allen added. “We expect that most of the project’s participants will be eager to do both types of searches.”
[email protected] participants will automatically receive work for both the radio and gravitational-wave searches.
The large data sets from the Arecibo survey are archived and processed initially at Cornell and other PALFA institutions. For the [email protected] project, data are sent to the Albert Einstein Institute in Hannover via high-bandwidth Internet links, pre-processed and then distributed to computers around the world. The results are returned to AEI, Cornell, and UWM for further investigation.
[/caption] Note: This is the first in a series of articles about Citizen Science projects, where science is not just for professional scientists anymore!
The desire to seek out others of a like mind must be coded into our DNA. Take any subject — music, literature, art, science, math, sports, animals — you name it, and there is a group you can join to share your interest with others. Or if you can’t find a group, then you can start one and see who joins in. Doug Ellison is a great example. His online forum Unmannedspaceflight.com (UMSF) has become a place where a combination of interest in space exploration and serious “Photoshopping” has taken on new proportions. But it is also a place where the line between amateur interest and professional science is starting to blur.
Plainly put, the images, mosaics and movies created by the participants at UMSF are stunning. Whether it be a panoramic view from the top of Husband Hill on Mars, recalibrated images from the Pioneer or Voyager spacecraft to create 3D renderings or maps of the planets, or a movie of Opportunity roving on Meridiani Planum, the work being done at UMSF is a feast for the eyes. And this is all being done by amateurs who don’t receive any compensation for their painstaking handiwork, except for the joy of sharing their images with each other and the public, and perhaps converting a few space exploration naysayers along the way. They do their work using cheap, free, or even personally-created imaging software, to generate their labors of love.
Ellison’s interest in space exploration started with the Mars Pathfinder mission in 1997, where information and images from the mission were being shared online, just as the internet was starting to boom. But when his own country, England, led the Beagle 2 Lander mission to Mars in 2003, Ellison’s interest got a little more serious. “Being a Brit, I was proud of Beagle, and wanted to talk about it with others,” said Ellison, a media producer, “but I couldn’t find any online forums discussing the mission. So I started a Yahoo group, and about 40 or 50 people descended on it, and we posted updates about the mission.” And the online updates and discussions were serious – no talk about little green men, Martians or UFOs was allowed.
The Mars Exploration Rovers were also on Ellison’s radar, as he knew they were set to land just after Beagle 2, but he admits not paying all that much attention to the rovers. However, when all contact was lost with Beagle 2 after it separated from the Mars Express orbiter, Ellison turned his attention to the rovers. The firehose of images from the rovers was almost immediate after they landed in January 2004: Principal Investigator Steve Squyres and Pancam lead Jim Bell had both decided to post all the images online, making them available for anyone with internet access virtually the instant the data were beamed back to Earth from Mars.
“I saw all these JPEG images online at the rover site, and I couldn’t help myself!” said Ellison, who had also developed an interest in image editing. “I started making mosaics and movies from the rover images. And in the same way I couldn’t find anywhere to talk about Beagle, I couldn’t find a ‘sensible’ place to talk about the rovers, and where I could discuss the images.”
Ellison noted he hadn’t yet found the BAUT (Bad Astronomy Universe Today) forum, but he noticed that almost any website or forum where Mars was the topic, the discussion would “soon turn to anomalism, nut-jobbery, and crazy-talk, so I was determined if I couldn’t find anything I would start my own site to post my images, etc.,” he said. “And if someone came along and said something like, ‘Oh there’s a skull, and there’s cannon,’ I just wasn’t going to have it,” he said.
Ellison never advertised or “pimped” the site, and the first year things were pretty quiet, with just a few dozen people joining in who were doing their own mosaics or global maps. Then the Cassini mission came along, and those images also went straight to a publicly accessible website, so a Cassini/Saturn section was added to the forum; then a Mars orbiter section and a New Horizons section – any mission where the images were available.
“So it expanded from just being a site about the rovers to any spacecraft that was going around taking pictures,” said Ellison, “so about a year after I started the site, I re-named it unmannedspaceflight.com.”
While the site hasn’t exploded or gone completely viral, it has quietly expanded to about 1,800 active members and about 30,000 visitors a month. “It spikes when there’s something interesting happening, such as the Phoenix landing, but otherwise its fairly steady, with about 100 or so really active people contributing images, with an awful lot of people who just like to hang around and look.”
The ‘Old Days’ and Now
It used to be difficult to get images from space missions, with enthusiasts having to wait weeks or months for a print magazine or book to publish pictures taken by spacecraft. But the internet has changed all that, and in addition, attitudes among the previously exclusive science community seem to be changing as well.
“NASA really does try to make data as accessible to the public as it can,” said Emily Lakdawalla from the Planetary Society, who writes the Planetary Blog. She has been a member of UMSF since 2005, and as a planetary geologist, enjoys working with space mission images. “Anybody in the world with net access can get to all the data ever taken by nearly every NASA planetary mission,” she said. “It is sort of like discovering the back rooms of the Smithsonian collections — they display only a few percent of their artifacts. NASA captions and press-releases only a few percent of their missions’ data, but it’s all online, waiting for people to discover and use it. UMSF is a community of people who live to do just that — delve into the museum vaults, discover wonders that few people on Earth have ever seen, dust them off, restore them, and display them to public view.”
As amateurs, Lakdawalla said, they can take liberties with the data that scientists usually can’t allow themselves to. If a data dropout creates an ugly stripe across an otherwise pretty image, a scientist will usually not fudge the data to make it look better. An amateur needs to have no such constraints; they can “futz” with the images, and produce eye-catching, print-ready images out of something that would have otherwise not been very interesting to non-scientists.
“The wonderful thing about UMSF is that the community there generally takes exactly the right level of liberties with the data,” said Lakdawalla, “basically, enough fudging as is required to prevent the viewer from being distracted by artifacts of the imaging process, but little enough to let the original space data do all the talking.”
While there are many space-topic forums on the internet, UMSF is different for two very important reasons, said Stuart Atkinson, care worker for the elderly in the United Kingdom by day, who has been involved with UMSF since the old days of the Beagle discussions. “Firstly, because it has a strict – and strictly enforced – policy of not tolerating ‘off topic’ posts about such things as politics, manned spaceflight, alien babies or Bigfoots on Mars and things like that,” said Atkinson. “UMSF is, as its name suggests, a forum for discussing unmanned spaceflight – spaceprobes, basically, and if anyone comes along trying to flame, or cause trouble, or claim they’ve found a piece of wood or an alien skull in a zoomed-in-to-within-an-inch-of-its-life section of a Mars rover image then they’re in the wrong place.”
The strict “policing” of the site, performed by about a dozen or so moderators has created an environment where even scientists feel comfortable joining in on the discussions. “Planetary Scientist Ralph Lorenz has come over and talked about Titan’s dunes, and Alan Stern has joined in discussions about New Horizons, for example,” said Ellison.
Which is the other thing that makes it so special, added Atkinson. “Become a member of UMSF and you’ll find yourselves rubbing virtual shoulders with many of the men and women who actually work ON the missions… Mars Rover drivers, Deep Space Network operators, Mars geologists and climatologists, they’re all members of UMSF, and clearly love being able to take part in discussions about their work.”
But not only have scientists joined in on discussions, they’ve come to UMSF to ask for help. Ellison said a highlight of his involvement with UMSF was when John Spencer from the New Horizons mission came to the forum asking if the members had any ideas for New Horizon’s flyby of Jupiter. “He came onto the forum and said, we’re planning the science sequence for the Jupiter flyby and do any of you have any ideas of when we should take pictures, just because they will be cool and interesting images. And he gave us the link for the tool that would show us the view from the New Horizons trajectory at a particular time, at any direction we wanted.”
Suggestions from UMSF members were put into an amalgamation of ideas from scientists and four ideas from UMSF were chosen for the flyby.
“I could not believe it, that my little forum had become an engine to come up with ideas, and these ideas got sent to a $800 million spacecraft a half a billion kilometers away,” said Ellison. “And New Horizons took this amazing picture of Europa rising up behind Jupiter. The fact that he came to us, asked us for ideas, and actually used them just was amazing.”
“New Horizons really exemplifies the best of amateurs and professionals working together,” said Lakdawalla. “All missions like to take advantage of “Kodak moments,” and the longer lived ones, particularly MER and Cassini, get the leisure to plan to take a few pictures just because they’re pretty, or significant. New Horizons wanted to do that but had a ridiculously short time between launch and Jupiter… It was a great use of amateur effort, for the right purpose — not to do science, but to do what the amateurs do best (and better than most scientists) — make pretty pictures.”
As an example of what UMSF does with images, Lakdawalla took image of Jupiter’s moons Io and Europa that was captured by New Horizons’ LORRI instrument (Long Range Reconnaissance Imager), combined it with another image taken by the MVIC (Multispectral Visible Imaging Camera) visible- and near-infrared spectrometer, to create a truly spectacular image of the pair of moons.
“Emily took the best data, combined them and made something better from it,” said Ellison. “I didn’t make the actual suggestion or create the actual picture but I’m very, very proud of those pictures because the people from New Horizons thought we’d come up with some sensible ideas and we did. It was an example of the amateur doing something truly spectacular.”
Ellison said starting UMSF has truly been life-changing. He has had the opportunity to meet scientists involved with the space missions, and even gave a presentation to the MER science team at Cornell University, which he said was “the highlight of my life.”
The work of another active UMSF member, James Canvin, showed up at a very special place: on the wall in the operations building for the Phoenix Mars Lander. It was visible during a visit by Sky at Night television show on BBC. “Recognition of that type, by people within the team running the mission itself is a huge honour,” said Canvin, who is a scientist for the United Kingdom’s main weather forecasting center. Canvin said image processing has become his main hobby, and countless hours have been spent writing the software to do the processing as well as producing the images themselves.
But perhaps the biggest reward of creating these “bootleg” images is the effect the images have on the general public.
“A big highlight is having my images seen (and getting positive feedback from) people who don’t normally follow spaceflight activities,” Canvin said. “I only ever post images to UMSF but occasionally I’ll see referrals coming from non-spaceflight related sites where somebody has re-posted the link with a “hey this is cool, look at this” type message. It’s nice that I have been able to help get the word out to a few people who might not have known what was going on Mars otherwise. During my time at UMSF I’ve really come to appreciate the value of working to bring the amazing sights of the solar system to as wide an audience as possible.”
Ellison also spends a lot of his time doing talks about space exploration at schools, and is working on applying for grant to do more activities with schools and even science centers. He also has plans for ways to make the tools created by the UMSF participants more accessible to more people by creating a “Wiki.” “What I want to do is extract the material and the knowledge that’s there collectively into a specialized Wiki around the things that get discussed,” said Ellison. “That will turn our sometimes idle banter into a usable, citable reference tool.” This would certainly be a tremendous resource for photography and digital imaging aficionados.
I *Heart* Spacecraft
UMSF is a true love affair with the images produced by our robotic spacecraft. “I was talking with (British historian) Allan Chapman,” said Ellison, “and he said this is amateur in the true sense of the word because amateur means love. And that’s true because people love doing this. We do it because it’s an adventure and it’s exploration that we can do.”
UMSF participants have created special tools to enhance the experience, like the Midnight Mars Browser written by Mike Howard. What began as a simple tool to automatically grab images when they became available, has evolved into an interactive tool that will download and sort the images, produce color composites, stereo anaglyphs and even re-project the imagery into virtual 3D space so that Pancam and Navcam imagery can be seen in context, site by site, sol by sol.
Once you start, creating your own images can also become something close to an addiction. “There’s a genuine chance for you to look at a little piece of the Mars that no one has set eyes on before,” said Ellison. “And that’s an incredibly powerful thing. The process how the pictures go online is all automated, and you think, ‘I should go to bed now, but the images will hit the web in about an hour, so I’ll stay up and wait for the pictures.’ And you make a mosaic and put it on the forum and then a hundred people can see this little bit of Mars that no one else has seen before.”
While in some people’s minds, what’s being done at UMSF brings up questions about the fair use of raw images from mission websites, it seems to point to a possible future where amateurs and scientists work together for the common good.
“Scott Maxwell (MER rover driver – see our three part interview with Maxwell) and I share a vision for a Mars 3.0,” said Ellison. “Mars 1.0 is when you have to wait for the press to come out with a single picture from a mission. 2.0 is roughly where we are now, where all the pictures come out and anyone can look at them. Mars 3.0 is finding a way whereby the enthusiastic public can contribute back in. I thought the New Horizons ‘Kodak moment’ was an example that it can work. It’s not sensible to hand the rover driving gloves off to amateurs or anything like that, but there has to be some sort of middle ground where there’s a type of ‘audience participation’ that can be done. The sheer numbers in the amateur community and the massively wide range of abilities they posses, they can actually make a contribution back to the missions.”
Ellison said he doesn’t know how it will eventually turn out, or even if a true amateur/professional partnership is even possible because of things like ITAR (International Traffic in Arms Regulations) and other restrictive laws that NASA and JPL must abide by.
But in the meantime, there’s much to enjoy from UMSF, even for the digitally-challenged. “Anyone can come and enjoy the pictures and watch what we’re doing,” said Ellison. “I’ve always maintained that you don’t have to register just to look at the pictures. So, come and click on the latest about Opportunity and look at the next day, and you’ll see someone will update the map, someone will make a new mosaic, and someone will make a movie: it will all happen and you can watch it. Or if you think you can wield Photoshop, and if you think you have some ideas, give us a try. As long as you don’t go into the realm of crazy, we’ll share what we know with you.”